Valerie, directed by Birgit Möller, portrays two weeks in the life of a Polish model unraveling into financial despair in Berlin. It is Christmas, and Valerie has come to Berlin to search for an apartment and spend the holiday with her furry, sequined friends. With no money in the bank, she attends casting calls with confidence- things have always worked out before- but when too many days pass, ripples of worry trouble her face; she is passed up for younger, fresher models. Habituated to a world where paychecks are picked up by invisible hands and taxis don't run meters, it gradually dawns on Valerie that she doesn't have a penny saved nor any future prospect. Unwilling to alter the illusion of the easy life that she and her friends entertain by asking for a loan, she finds herself unable to pay her parking ticket in the subterranean garage underneath her hotel. Cast out from the Grand Hyatt after her credit card proves faulty, she begins to live in her car, changing behind doorways to emerge each night a cashmere-covered butterfly, looking for solutions in the beautiful rooms of the city. This is a film about the ramifications of people losing interest and the volatile currency of beauty.
No comments:
Post a Comment